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Nietzsche's ausgang: Dissolution and identity in the cinema of Lars von Trier

Krisjansen, Ivan ORCID: 0000-0002-8515-3705 and Papadopoullos, C (2015) Nietzsche's ausgang: Dissolution and identity in the cinema of Lars von Trier. Studies in European Cinema, 12 (1). 46 - 59. ISSN 1741-1548

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Item Type: Article
Uncontrolled Keywords: Friedrich Nietzsche; cinema; film; The Idiots; Breaking the Waves; Dancer in the Dark; Dogville; Manderlay; AntiChrist; philosopy; French postmodernism; German critical theory; movies; 1990s; 2000s; directors; Dogme 95
Subjects: Current > FOR Classification > 1902 Film, Television and Digital Media
Current > FOR Classification > 2203 Philosophy
Current > Division/Research > College of Arts and Education
Depositing User: Symplectic Elements
Date Deposited: 19 Jan 2018 00:27
Last Modified: 10 Oct 2019 22:59
URI: http://vuir.vu.edu.au/id/eprint/35419
DOI: https://doi.org/10.1080/17411548.2015.1010310
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Citations in Scopus: 1 - View on Scopus

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