Little world/mundinho: an 'antropofagic' and autobiographic performance (uma performance antropofagica e autobiografica)

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http://eprints.org/relation/isVersionOf https://vuir.vu.edu.au/id/dark_document/72867 http://eprints.org/relation/isVolatileVersionOf https://vuir.vu.edu.au/id/dark_document/72867 http://eprints.org/relation/issmallThumbnailVersionOf https://vuir.vu.edu.au/id/dark_document/72867 archive 301 disk0/00/00/14/68 2008-10-23 04:03:04 2021-08-27 07:41:28 2008-10-23 04:03:04 thesis show Mott Simone Silva Reis simonerainhas@yahoo.com Little world/mundinho: an 'antropofagic' and autobiographic performance (uma performance antropofagica e autobiografica) unpub 410000 HumanMovementRecreationPerformance 420000 cross-cultural performance, Brazil, Australia, autobiography, anthropophagy, cultural identity How can we identify and emerge from the chain of bodies, territories and cultures, called 'my body', my 'self'? Can the performing body transcend cultural boundaries? What would such transcendence look like? If it happens, what can it say about a possible intercultural body format? How to create a performance with an extracultural approach? Invasion, migration, and population dislocation over the last five centuries has caused significant movement amongst global populations. Cross-cultural performances have developed from these invasions, migrations, and dislocations. The late 20th and early 21st Centuries have seen the development in the 'West' of intercultural and extracultural theatre/performance. This project presents a performance derived from the unique combination of Brazilian and Australian performance practice. It sheds light on the power of the theatrical event for disparate audiences, and on the performer’s experience of the creative process while generating a new performance text that addresses the questions: What is it to 'be' 'Brazilian'? Does 'Brazil' exist? What is it to be 'Latin American'? Does 'Australia' exist? This project, Little World: Four 'Autoethnographic' Performances, explores the author/performer’s 'being' 'Brazilian', being 'Latin American' in 'Australia', and a 'performer' in 'theatre', through autobiographical and autoethnographic performance drawing on the writings of Clarice Lispector, Franz Kafka, and Guillermo Gómez-Peña, and the performance practices of Brazilian Candomblé and Japanese Butoh. It attempts to place the spectator in the position of the performer, encountering 'Australia' through another culture and language. And following Oswald de Andrade’s 'anthropophagy', it proposes and enacts the cannibalising of the 'foreign(er)', the digestion of foreign stereotypes to produce new identities. The thesis component of the project will provide a first person autobiographical and autoethnographic account addressing the questions raised above; the performance-making processes; and the social and theoretical contexts and the aesthetic elements of the performance. 2007 submitted 72867 2 2415055 dark_document 72867 Mott , Simone Silva Reis.pdf application/pdf 154b9ceb8273df267b22affb416748c4 MD5 50113 2020-10-29 02:17:01 1468 15 15 application/pdf text VURR permission form en staffonly

Mott , Simone Silva Reis.pdf

other public 179 Victoria University School of Human Movement, Recreation and Performance phd phd Includes bibliographical references: pp. 162-169 FALSE