A case for irony in Beowulf, with particular reference to its epithets

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http://eprints.org/relation/isVersionOf https://vuir.vu.edu.au/id/dark_document/111261 http://eprints.org/relation/isVolatileVersionOf https://vuir.vu.edu.au/id/dark_document/111261 http://eprints.org/relation/issmallThumbnailVersionOf https://vuir.vu.edu.au/id/dark_document/111261 archive 293 disk0/00/00/16/51 2008-11-14 00:04:07 2023-11-14 01:14:35 2008-11-14 00:04:07 book show Clark Tom 0000-0002-0313-9484 A case for irony in Beowulf, with particular reference to its epithets pub 420000 CommunicationLanguageCulture ResPubID10039, beowulf, history, criticism, epithet, literature, rhetotic, epic poetry This book examines irony in the Old English poem Beowulf. It synthesises an argument that the poetics of Beowulf are fundamentally contrastive. Contrastiveness is a feature of expression that enables the presence of irony, although it does not guarantee it. Using a definition that emphasises contextual rather than absolute readings of irony, this study shows how irony is created in Beowulf by contrastive techniques such as the dichotomy of words and deeds, the use of juxtaposition in its development of characters, and the use of litotes. The author devotes particular attention to the epithets of Beowulf, examined as both an attributive phrase and the concomitant amplification of that phrase through its poetic context. Close readings of the poem's epithets reveal many ironies and many different types of irony. The systematic coherence of those types shows Beowulf in a new light, as a thoroughly ironic poem. [Peter Lang] 2003 published Peter Lang Publishing 111035 2 2553968 dark_document 111035 CombinedProofFile 231023.pdf application/pdf adf1cd1580376999511fad405fa737c2 MD5 915191 2023-10-31 02:20:52 1651 1 1 application/pdf text en staffonly

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