Dead Cars in Westall is a collection of interlocking narratives, examining the
everyday practices of multicultural migrancy, postcolonial sexuality and commodity
culture in the cosmopolitan global/local nexus of Melbourne. These narratives are
supported by postmodern and poststructuralist theoretical underpinnings pertaining to
gender, sexuality, class, race/ethnicity and popular culture. Utilizing a bricolage of
qualitative methodology, the stories are autoethnographic and automobilic and
describe mobile subject positions, which traverse time and space. The 'dead car way'
of resistance, influenced by Chela Sandoval's Methodology of the Oppressed and
explicated throughout the text, produces a third space of cultural possibility, that of
the Uiminal' or the space in-between, whereby the subject is constantly in flux.